West End Girl
If you (1) majored in poetry and (2) are a Madonna fan, life can be very cruel. It's not just that she sometimes produces lines that could have been written while she was waiting for a bus. (Imagine Madonna waiting for a bus! I'll wait for your peals of laughter to die down.) I actually don't mind the sort of time-honored placeholders that rhyme "burning fire" with "my desire" and the like. They've become conventions, and every art or craft form needs conventions.
Thing with Madge is, she's often ten times worse when she actually seems to want to say something of importance. I think my favorite thing on the new album is "Jump," which is one of her always-charming songs about navigating through life with pluck and determination. There's one on every Madonna album somewhere, and she always pours feeling into it.
This is the second verse of this year's model:
The top four lines are fine. Unimaginative, but sincere-sounding.
The bottom four? I just...I don't...I have this thing, okay? I can't read a poem or listen to lyrics without trying to interpret them, and I am getting a serious cognitive short circuit here. It sounds as if "life" is what's supposed to be parallel with "the limbs of a tree," but it could be "you" instead. Is she comparing you to dead limbs being dropped by the tree? Dead leaves? The latter would be nicely seasonal, but they don't have a whole lot of the life force she's obviously trying to project. Maybe she's telling her fans we're all fruits (as if we didn't already know)?
Or maybe we're supposed to be kitty cats who have climed up the tree and have to take the risk of jumping off even though the...uh...wind is blowing? That would make sense given the chorus--but what would the tree be making you see by swaying, of all things? Does swaying make trees more instructive, somehow? You'd think that would have stuck in the memory during life science class in eighth grade. And how much bending around does the poor tree have to do until you see whatever it is you're supposed to see? I guess the other possibility is that the verse is supposed to work as a whole, so it's a family tree we're dealing with. Do family trees sway? I thought she just said family was the only thing that was stable.
This song is going to be so much easier to handle in a disco while surrounded by cute boys, fueled by a vodka or two, and moving it under seizure-inducing colored lights.
Thing with Madge is, she's often ten times worse when she actually seems to want to say something of importance. I think my favorite thing on the new album is "Jump," which is one of her always-charming songs about navigating through life with pluck and determination. There's one on every Madonna album somewhere, and she always pours feeling into it.
This is the second verse of this year's model:
We learned our lesson from the start
My sisters and me
The only thing you can depend on
Is your family
Life's gonna drop you down
Like the limbs of a tree
It sways and it swings and it bends
until it makes you see
The top four lines are fine. Unimaginative, but sincere-sounding.
The bottom four? I just...I don't...I have this thing, okay? I can't read a poem or listen to lyrics without trying to interpret them, and I am getting a serious cognitive short circuit here. It sounds as if "life" is what's supposed to be parallel with "the limbs of a tree," but it could be "you" instead. Is she comparing you to dead limbs being dropped by the tree? Dead leaves? The latter would be nicely seasonal, but they don't have a whole lot of the life force she's obviously trying to project. Maybe she's telling her fans we're all fruits (as if we didn't already know)?
Or maybe we're supposed to be kitty cats who have climed up the tree and have to take the risk of jumping off even though the...uh...wind is blowing? That would make sense given the chorus--but what would the tree be making you see by swaying, of all things? Does swaying make trees more instructive, somehow? You'd think that would have stuck in the memory during life science class in eighth grade. And how much bending around does the poor tree have to do until you see whatever it is you're supposed to see? I guess the other possibility is that the verse is supposed to work as a whole, so it's a family tree we're dealing with. Do family trees sway? I thought she just said family was the only thing that was stable.
This song is going to be so much easier to handle in a disco while surrounded by cute boys, fueled by a vodka or two, and moving it under seizure-inducing colored lights.
Related Posts (on one page):
- Every little thing that you say or do
- West End Girl
- Chosen time
Posted by Sean on
2005-11-25 06:32:23
Still staring, still no idea what she's on about.
It's clunky, literal, see-the-rhyme-coming-a-mile-away, banality-smacks-you-in-the-face lyrics like the first four lines there, that I cannot deal with. If she'd followed them up instead with, let's say,
'Cause sisters love each other
As anyone can see
We've got to stick together
It's the way that it should be
the CD would be flying across the room before she got to the end of the verse.
BTW, that's some scary facility with doggerel you've got there. You may want to, you know, watch yourself. Or work it to the max and get a job at Hallmark. : )
Except it also doesn't sway around, would be more not less reliable than your family, and basically doesn't fit into this song at all.
I think the trouble is unconscious free-associative tree-confusion. Lot of it about.
Yes, that is one of the sad pitfalls of our excessively mechanized modern life. Only, you'd think that if she were talking about the Kabbalistic tree of life, she'd have to say something like "limbs of the Sacred Tree (may its roots never go thirsty)." Maybe it was hard to find a slant rhyme.
Or did she mean to say "horse" instead of tree?